How filmmakers manipulate our emotions using color (from the web)

color tones manipulate filmmakers emotions Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Specific color palettes are used by filmmakers to manipulate our emotions, from warm red tones for romances to blue, cold tones for horror flicks. The Dust Bowl-toned "O Brother, Where Art Thou?" (2000) was the first film to be digitally color graded from beginning to end.

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