Very excited as we have just taken an option on 3,500 square feet of new studio space.
While our existing studios have been great, and are pretty big, we are now limited for expansion and opening up some new opportunities to pursue.
So, I’m going to try and document the whole process of thinking, development, building and fitting out the studio as we go along.
This post will be about our planning stages, why we’re shaping the studios and sizes and what they’ll be used for – though I am sure by the …
In this shot we skim across the torso both seeing the overall form and shape, but also the fine details of the texture of the skin and the downy hairs.
Lighting Diagram
In the first two examples the light is into the back wall of the cove, so all the light on the figure is just reflected light and very diffuse. In the third image the light is now shining directly across the body from behind.
There are many decisions to make with this kind of abstract form, not least where do …
These are Dave’s images for critique following the November workshop we ran in conjunction with the RPS.
There’s a red shift in these images. Can’t tell if it was in camera or in post. It looks like the camera settings were not correct given a red bias to the images. If it was done in post deliberately then there’s too much!!
I like this shot, very dynamic, strong powerful image. I like the curl of hair across the shoulder which cuts down the big fleshy space that would have been there. I …
It’s that time of year again when the Pirelli Calendar is launched.
The video of the behind the scenes is very interesting, look at the size of the team that it takes.
Mario Sorrenti creates a very serene yet powerful series of images – underlines the importance of creating the environment for a photoshoot.
You can also see Kate Moss, Lara Stone, Natasha Poly, Milla Jovovich working as models which is also very interesting.
After every workshop we give attendees the opportunity to send in post-processed and finished images for a critique, this may cover everything from great photos for approval or failed photos for advice. We try and give information for correction of images wherever we can.
This is Arthur’s set from our recent workshop in conjunction with the Royal Photographic Society.
My first comment which I’m not going to repeat for all images is that they all look slightly dark to me. This is probably due to an uncalibrated monitor. Most monitors are by …
