smoke studio jopaul gives shine Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Backlighting and Smoke

THINKING: Artificial smoke is often used as an atmospheric backdrop within an image. It serves to obscure and hide features.

viewer explore start features faces Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Anonymity 2: Candid

THINKING: By not having faces within an image we invite the viewer to look around the image and take in other aspects of the image.

triangles study nude mask becomes Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Anonymity 1: Strength

THINKING: As soon as we show a face in an image then it becomes a portrait. It becomes a study of the person.

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Additional Senses

THINKING: Photography is a visual medium. But if we can infer additional senses then we can build a stronger image.

Wrapped

THINKING: I wish I had an industrial sized vacuum wrapping machine - I have thought I could achieve some great shots with vacuum wrapped models!

Contrast

THINKING: On a wet and cloudy day I wanted to create an image about basking in the sun. The classic photographer's problem - an image in mind and weather that won't co-operate.

tunnel pose shining model gives Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Constrained Spaces

THINKING: If you keep plonking your models in front a plain photo backdrop - just like 99% of all other photographs - how do you hope to create something different?

screen zara pose music model Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Breaking the Pose

THINKING: You can't ask a model to pose "gay abandon". This just would not work. Instead you must create a setting in which the model can freely move and express that moment.

pose papers motion actually programming Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Body Image 4

THINKING: To finish off this short segment I want to mention briefly the media and its relationship with body image.

Water

THINKING: When shooting water you really need to consider how you want the water to be represented for the particular concept you have in mind.

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Raphaella Withlove model, waters speed shutter nikimarie shooting Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

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