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AOP part 65: How to photograph a model suspended from the ceiling.
Depending on the pose Maja has a greater or lesser control of her position. The silks can wrap, deliberately or as part of their own accord.
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How to select simple but effective props - free book excerpt
Remember the black infinity scarf? Well this is its red version. I've added red tights from my collection of props to make a real splash of colour.
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AOP part 63: How to pose and frame your shot to maximise the impact of the outfit
To really show of the intricacy of the halter top we really need to get a close up image. If I had not done this you would never see the detail of how the individual straps weave in and out of each other.
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AOP part 62: Outfit Determines the Shot
When looking at fashion photography you need to work out what is crucial about the outfit and how you will present it.
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AOP part 61: Shape and Careful Clarity on the Horns
The issues I discussed earlier about shadows merging on the black suit also applied to the headpiece.
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AOP part 60: Maleficent
As you can see, Maja and I are working a series of shots, building elements as we go along. This is a planned process.
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AOP part 59: Full on Alien
This make-up style was really striking me as something from a sci-fi movie, so of course the next step was to go full alien!
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AOP part 58: Not an Airbrush
This look I blissfully stole from the movie "Blade Runner". In the film the character Tris, played by Darryl Hannah, applies this herself using an airbrush in one sweep.
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AOP part 57: Long Shot Shapes
As you can see when you have something completely black the thing that gives any sense of shape to the subject are the highlights.
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AOP part 56: Stark Portrait
As soon as I saw this outfit it was obvious that the softer window light we had been working with just was not going to be appropriate for the style.
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