maja camera pose waist suspension Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 65: How to photograph a model suspended from the ceiling.

Depending on the pose Maja has a greater or lesser control of her position. The silks can wrap, deliberately or as part of their own accord.

saturated recede advance actually version Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

How to select simple but effective props - free book excerpt

Remember the black infinity scarf? Well this is its red version. I've added red tights from my collection of props to make a real splash of colour.

personality outfit maja clearly wide Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 63: How to pose and frame your shot to maximise the impact of the outfit

To really show of the intricacy of the halter top we really need to get a close up image. If I had not done this you would never see the detail of how the individual straps weave in and out of each other.

outfit pose leggings halter fashion Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 62: Outfit Determines the Shot

When looking at fashion photography you need to work out what is crucial about the outfit and how you will present it.

shape horns horn tweak tilt Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 61: Shape and Careful Clarity on the Horns

The issues I discussed earlier about shadows merging on the black suit also applied to the headpiece.

sets wardrobe sequence rail arrange Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 60: Maleficent

As you can see, Maja and I are working a series of shots, building elements as we go along. This is a planned process.

alien technique style shifts process Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 59: Full on Alien

This make-up style was really striking me as something from a sci-fi movie, so of course the next step was to go full alien!

zip mask earlier airbrush wear Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 58: Not an Airbrush

This look I blissfully stole from the movie "Blade Runner". In the film the character Tris, played by Darryl Hannah, applies this herself using an airbrush in one sweep.

shadows visual undefined style shapes Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 57: Long Shot Shapes

As you can see when you have something completely black the thing that gives any sense of shape to the subject are the highlights.

style shiny reflections lights latex Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

AOP part 56: Stark Portrait

As soon as I saw this outfit it was obvious that the softer window light we had been working with just was not going to be appropriate for the style.

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