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Red Drape
This setup has been a staple shot of mine over the years. It is simple but so striking. We use it for models and our boudoir clients. The rich red tones against the Carla's perfect, pale skin make such a terrific contrast.
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Boudoir Red Sofa
Red is a very provocative colour, it is symbolic of danger and drama and in our context lust and sex. It is also a really strong eye catching colour in any image.
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Window Frame Shadows
Shadows ought to be so easy, after all we see them all the time and they often intrude on our images where we don't want them. But actually creating a nice crisp shadow is based on a series of compromises.
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Glamour in a fashion style
This little set combines styles from the fashion and glamour photographer worlds. Lighting Diagram The hard and focussed lighting is provided by a honeycombed and snooted strobe.
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Film Noir
I call this kind of setup "Film Noir" in homage to the films of the forties and fifties. It isn't really true noir, because you expect to see much tighter light shaping, but it is a short hand way of describing the look.
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Mirror
Mirrors, they are always so tempting to use in a shoot, yet they can also be the most frustrating and awkward prop you can imagine. For a start they always seem to be reflecting some part of the studio, or the photographer, or the lights or the w...
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Boudoir Light
A lot of boudoir photography is short as quite dark, low-key setups, a sort of re-imagining of the old 1040's Hollywood style of lighting. But I also like really high key, very light boudoir setups too.
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DVD: Learn Fine Art Nude Photography
Fine Art Nudes" - the art of the female form - explained so you can create your own. Taking the tradition of fine art nude photography into the new century with contemporary twists on old favourites, a considered and modern study of the female nude.
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Boudoir Ideas
These three images represent some of our simplest setups but also some of our strongest sellers to our boudoir clients. All of them are lit with a single light and so are really easy to setup.
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Boudoir Low Key
When shooting low-key images, it is common to use two lights. The first is the main light for the subject and the second is used as a hair or rim light to give some separation from the background.
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Simon Q. Walden | FilmPhotoAcademy.com
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