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Boudoir Low Key

When shooting low-key images, it is common to use two lights. The first is the main light for the subject and the second is used as a hair or rim light to give some separation from the background.

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Boudoir High Key Part 3

I'm now using that window light as a rim light, letting it fall sideways across the body. By letting the sitter use the wall they can give themselves some comfort, I will have them lean on the wall several ways, with their back to the wall, wit...

source lastolite diagram create achieve Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Creating an artificial "natural light"

These images and diagram show you how you can re-create the sense of natural light even when you are locked in your studio.

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Boudoir High Key Part 2

With boudoir shoots often you are trying to balance the need to show skin, but not too much skin. I have also found that when asking our female sitters what their men prefer backs and bums feature heavily.

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Boudoir High Key Part 1

In this sequence I have used a small 8 foot square area of set, with just two lights to create a range of different looks and styles. I want to show that even a small space used well does not need to be restricting at all.

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Did you know a plain white shirt is the ultimate prop?

There's something always sexy about a girl in a man's shirt. Even more so if it is the partners shirt. I use the shirt often in boudoir shoots as a "warm-up".

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50 metres of rope goes a long way - artistic and different

For art nude work I believe that less is more as far as props are concerned. I like to keep my shots simple and to use props sparingly. There are really two kinds of props; what I call the "Old Masters" and then the "Graphical".

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Window Frame Silhouette - easy to create for impact

Backlighting through a diffusion screen is such a powerful tool. I use it all the time, but usually with a main light on the subject as well. In this sequence of shoots though I am just using the backlight and shooting directly into it.

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Scaffold Pyramid - 3 poles, 1 naked model

I love scaffold poles for props. They are really easy to configure into different shapes. They are sturdy enough to take weight. I also like the combination of hard steel against soft skin - I think they create a good contrast of strong lines a...

lighting props background working wide Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Glamour in a shed - why contrasts work

These images work because of the comparison and contrast - and frankly downright incongruity - of a pretty girl in a grubby place.

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